Mostrando entradas con la etiqueta EL NUEVO BAYREUTH. Mostrar todas las entradas
Mostrando entradas con la etiqueta EL NUEVO BAYREUTH. Mostrar todas las entradas

martes, 1 de septiembre de 2015

EL NUEVO BAYREUTH - BLOG

El desgarrador Tristán e Isolda de Katharina Wagner

Recupero después de demasiado tiempo de silencio este blog, para dejar a quien pueda interesarle un relato de las impresiones causadas por el Tristán que he podido presenciar este año en Bayreuth. En una segunda entrega comentaré los aspectos musicales con detalle. 
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lunes, 2 de febrero de 2015

ANIVERSARIO DE LA PRESENTACIÓN DE "EL NUEVO BAYREUTH"

Se acerca el aniversario de la presentación del libro de EMILIO JOSÉ GÓMEZ, EL NUEVO BAYREUTH en SALAMANCA Y MADRID.  Con motivo de celebrar este aniversario hemos creado este vídeo. En breve expondremos un vídeo resumen de la presentación.



ANIVERSARIO LIBRO SALAMANCA 2015 from Wagner Madrid on Vimeo.

domingo, 30 de marzo de 2014

REVIEW "EL NUEVO BAYREUTH"



Loli Castellón Pérez


19th March 2014

REVIEW
The New Bayreuth by Emilio Gómez


Bayreuth is a small village in Germany. It´s a charming place where Richard Wagner made his theatre. This theatre is a reference for Wagnerian productions throughout the world. The easiest way to have a quick trip to Bayreuth is reading Emilio Gómez´s book. This book is for lovers of scenography. The New Bayreuth is the latest book about Wagnerian opera scenography in the 20th century. This book is based on the work that Wieland Wagner did to renovate Wagnerians scenography. Wieland Wagner is one of Richard Wagner´s grandsons.


Wieland Wagner tried to do something different. He contracted young singers of all nationalities. He gave them some advice about how to move on the stage. He wanted small and very intimate movements. He decided to remove all the furniture from the stage. He wanted to focus attention on the important things. He used light to create atmospheres and to direct the attention of the audience. The conductors were the most famous ones, for example Herbert von Karajan. All these things represented a significant change in opera.

This book is very easy and enjoyable to read. The author tells us in a entertaining wag all the difficulties that an opera production has. He gives us a different point of view to overcome all the difficulties when you have a lower budget.
If you like scenography and you want to know more about the evolution of scenography in the 19th and 20th centuries, then this book is for you.

I recommend getting hold of a copy as soon as you can. You don´t have to have read something about scenography before to enjoy and appreciate The New Bayreuth. Once you´ve read this book, you´ll want to know more about Wagnerian opera.